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Last updated November 2013

Please Note: To the extent permitted by law, Warringah Printmakers Studio, excludes any liability for any loss or damage which may result from any inaccuracies contained in the information provided on safer printmaking.

a safer studio

After becoming incorporated in 1997, the Warringah Printmakers Studio started working towards turning the workshop into a safer space by using alternative techniques to traditional etchants and solvents. The teachers at that time were very supportive of the initiative and kept a diary of observations about the newer techniques & materials. Knowledge acquired was shared and problem solving became part of the printmaking routine.
The Warringah Printmakers Studio acknowledges & thanks all of the printmakers who helped in our development as a safer printmaking studio.

influences

essays

Ad Stijnman, a printmaker & print historian from the Netherlands, has studied the dangers of traditional printmaking, researched less toxic procedures & given good counsel to the Studio. The following links are to essays written by Ad which are testament of his research in this area.

workshops

Workshops by visiting printmakers have been particularly helpful in showing the way towards a safer printmaking studio:-

  • Keith Howard, formerly Head of the Canadian School for Non-Toxic Printmaking at Grande Prairie Regional College, Alberta, introduced ImagOn, a photopolymer film. He also demonstrated the use of ferric chloride to etch copper plate; acrylic resist to replace the usual asphaltum-based hard & soft grounds; & vegetable oil for the cleanup of oil-based printing inks.
  • Dan Welden in 1999, Master Printmaker from New York, first developed the solarplate printing technique in 1972demonstrated the flexibility of solarplate as a printmaking medium.

Keith Howard

Dan Weldon

Three South Australian artists gave workshops at the Studio in the late 1990s.

  • Pauline Muir, a biologist, teacher, printmaker & writer, co-authored the book Printmaking in the Sun Dan Welden in 2001.
  • Janet Ayliffe, a painter and printmaker was a pioneer of solar plate (photopolymer) plate techniques.
  • Dianne Longley, a visual artist working with a range of traditional & digital processes.

books

  • Printmaking in the Sun - Dan Welden & Co-Author Pauline Muir, published by Watson Guptill in 2001, the comprehensive manual of solarplate methods.
  • Non-Toxic Intaglio Printmaking - Keith Howard (Author), Monona Rossol (Foreword)
  • Printmaking with Photopolymer Plates - Author/Publisher: Dianne Longley, 1998

safer printmaking links

  • New Directions in Printmaking - featuring Nick Semenoff's waterless lithography and other less-toxic methods.
  • Handbook of Kitchen Litho
  • Substratum
    An artistic inquiry into printmaking substrates + health impacts.
  • NontoxicPrint.com
    A research resource & workshop guide for artists, educators & printmakers.
  • Polymetaal Site
    Users instructions for ImagOn and ImagOn Ultra Photopolymer Films
  • The Printmakers Experimentarium
    A Copenhagen studio which tests & evaluates new printmaking techniques & materials based on acrylics & polymers.
  • druckstelle
    Working with non-toxic/less toxic materials & techniques druckstelle offers an exchange with the public through exhibitions, workshops, lecturers, & open studio days.
  • Solarplate Etching
    An innovative & safer approach to printmaking - Dan Welden.
  • The Sidney Nolan Trust
    A centre for fine art printmakers in The Border Marches who want to explore the exciting potential of solar plate & photopolymer film printmaking.
  • Green Prints
    Safer & alternative methods for printmaking, including Galv-Etch - Cedric Green.