Last updated June 2009
| Term 1 | Term 2 | Term 3 | Term 4 |
| 9 Feb. to 9 April | 4 May to 3 July | 27 July to 26 Sept. | 19 Oct. to 18 Dec. |
Term 2 commences: 4th May
Morning Class: 10am - 1pm
Course Fee: $195.00 Casual Class: $28.00
Bookings: Please send an email to Rebecca Baird for a class
booking.
Course Outline: Traditional & contemporary printmaking using intaglio
& relief techniques. The course will cover woodblock, lino block, drypoint,
etching using aluminium, copper & zinc plates & photopolymer.
Please make cheque or money order for class fees payable to Rebecca Baird.
Term 2 commences: 5th May
Morning Class: 9.30am to 12.30pm Afternoon Class: 1pm to
4pm
Class Maximum: 10 students
Course Fee: $195.00 Casual Class: $28.00
Bookings: Please send an email to Jan Melville for a class
booking.
Course Outline: Photopolymer, drypoint, aluminium etchings, waterless lithography & relief prints hand printed onto Japanese papers with baren. Students will be encouraged to experiment with other media & to learn new techniques offered by the studio.
Please make cheque or money order for class fees payable to Jan Melville.
Term 2 commences: 5th May
Evening Class: 6.30pm to 9.30pm
Course Fee: $195.00 Casual Class: $27.00
Bookings: Please send an email to Tim Witney for a class booking.
Course Outline: Intaglio & relief printmaking techniques - drypoint, etching using aluminium, copper, zinc plates & photopolymer.
Please make cheque or money order for class fees payable to Tim Witney.
Term 2 commences: 6th May
Morning Class: 9.30am to 12.30pm Afternoon Class: 1pm to
4pm
Class Maximum: 9 students
Course Fee: $200.00 Concession: $185.00 Casual Class: $28.00
Bookings: Please send an email to Susan Baran for a class
booking.
Course Outline: Both classes encourage creative freedom to explore the different printmaking media at the individual’s own pace and caters to all levels, from the more experienced students wanting to further skills to the
beginners who are most welcome.
Please make cheque or money order for class fees payable to Susan Baran.
Term 2 commences: 9th May
Note: This class operates on a different schedule to the weekday classes. Please check with Rosanna for the schedule of dates & times.
Class Maximum: 8 students
Course Fee: $200.00 Casual Class: $35.00 (attendance by prior arrangement).
Bookings: Please send an email to Rosanna Jurisevic for a class booking.
Course Outline: The course will cover the foundation skills applied in printmaking through a range of methods & techniques. Exploring safer printmaking practices while preparing intaglio & relief plates ready for fine art printing. Techniques will include etching, woodcut, linocut & collagraph. For beginning & experienced artists.
Please make cheque or money order for class fees payable to Rosanna Jurisevic.
| Casual Rate $5.00 per person per hour. Commercial Rate Members editioning for other artists must pay the commercial rate of $6.50 per hour. Exclusive Rate Full members may also book use of the Studio exclusively for editioning purposes at the rate of $90 per person per day. A Studio Orientation to assess readiness for access is free to students who have completed at least one full term of classes. New members applying for access will be charged a $20.00 fee. |
Pre Paid Rate - conditions apply Discounts are available if access time is paid for in advance for a regular time slot each week. Users must be prepared to let Studio events & exhibitions take precedence & will not necessarily use the maximum hours allowed. There is no refund or compensation for hours not used. Quarterly - $180.00 (maximum usage of 60 hours only over 13 weeks) Half Yearly - $300.00 (maximum usage of 120 hours only over 26 weeks) Yearly - $540.00 (maximum usage of 240 hours only over 52 weeks) |
Last updated July 2009
This process is one of the safer techniques of printmaking and is remarkable for the detail and definition that can be achieved. Tonal gradations are more easily created than in traditional etching, with a quality similar to lithography. A variety of drawing techniques are readily combined with the use of imagery from other sources.
Participants of the workshop will make photopolymer plates for relief & intaglio as well as colour prints using single and multiple plates. Janet will demonstrate using sunlight as the main source of Ultra Violet light for exposure of the plates.
For those wishing to do both workshops, a separate programme will be arranged. For more information about Janet Ayliffe visit www.janetayliffe.com.au
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Venue: Warringah Printmakers Studio Time: 10am to 4pm Members: $195.00 Non members: $215.00 (includes Associate Membership fee) Cost also includes some materials. Bookings: Susan Baran |
![]() THE WRASSE & THE AUTUMN SKIES |
Depending on numbers a second workshop may be scheduled on Sunday 20th September
The “one day workshop” is designed for absolute beginners & newcomers to printmaking. We aim to provide fast results during an enjoyable, informative and practical introduction to a few printmaking processes such as, linocut, drypoint & photopolymer etching. All you need to do is bring your lunch & an apron, wear covered shoes & prepare a few ideas for images (your own artwork or cut outs from magazines & photos). Participants must be over the age of 16.
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Venue: Warringah Printmakers Studio Time: 10am to 4pm Members: $95.00 Cost includes materials. Bookings & further information contact: Annie Day or Rosanna Jurisevic |
![]() The printing of waterless lithographs ![]() Sleeping Harry |
Melboune artist Martin King is Senior Printer at Australian Print Workshop and has worked to produce prints with many of Australia’s leading artists. He regularly travels to various aboriginal communities collaborating with artists like Kity Kantilla and Butcher Cherel to produce and further develop the artform of printmaking in these remote communities. His own work as an artist is well known and he exhibits regularly in Sydney at King Street Gallery on William and in Melbourne at Port Jackson Press. He recently won the Broken Hill Art Prize.
This 2 day workshop will explore a variety of printmaking techniques. Discover the versatility of producing monoprints, a process that employs a combination of printmaking and painting techniques. Explore the many possibilities which can be achieve with drypoint and monoprint.
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Venue: Warringah Printmakers Studio Time: 10am to 4pm Members: $220.00 Non members: $240.00 (includes Associate Membership fee) Cost also includes some materials. Bookings: Susan Baran |
![]() The Crossing IV 2006 |
Please note that all participants of workshops held at the Warringah Printmakers Studio need to become at least Associate members of the Studio. Unless stated otherwise, the cost for workshops does not include the membership fee. See membership page for details.
Weekend and midweek workshops are arranged in response to demand, so please enquire.