Last updated July 2010
2010 Term Dates
| Term 1 | Term 2 | Term 3 | Term 4 |
| 30 Jan. to 31 March | 27 April to 26 June | 19 July to 18 Sept. | 11 Oct. to 11 Dec. |
- Warringah Printmakers Studio requires that all students be at least Associate Members. For a membership form & information go to the membership page.
- All classes are run by independent teachers who are not employed by the Warringah Printmakers Studio but who work within the Studio's guidelines.
- A booking must be made with the teacher prior to the commencement of the class. Classes may go ahead only if there are sufficient numbers.
- All class fees listed are inclusive of some basic materials suitable for beginners.
- Most classes are 3 hours per week for 9 weeks.
monday - term 2 monday classes will start 19/4/10 because of anzac day
intaglio & relief printmaking with rebecca baird
Morning Class: 9.30am to 12.30pm
Afternoon Class: 1pm to 4pm
Course Fee: $210.00 Casual Class: $35.00
Bookings: Please send an email to Rebecca@printstudio.org.au.
Course Outline: Traditional & contemporary printmaking using intaglio
& relief techniques. The course will cover woodblock, lino block, drypoint,
etching using aluminium, copper & zinc plates & photopolymer/solarplate.
Please make cheque or money order for class fees payable to Rebecca Baird.
tuesday
intaglio & relief printmaking with jan melville
'Dress for Mona' Mixed Media
Morning Class: 9.30am to 12.30pm
Class Maximum: 10 students
Course Fee: $200.00 Casual Class: $28.00
Bookings: Please send an email to Jan@printstudio.org.au.
Course Outline: Photopolymer/solarplate, drypoint, aluminium etchings, collagraphs & relief prints hand printed onto Japanese papers with baren.
Students will be encouraged to experiment with other media & to learn new
techniques offered by the studio.
Please make cheque or money order for class fees payable to Jan Melville.
intaglio & relief printmaking with tim witney
Evening Class: 6.30pm to 9.30pm
Course Fee: $195.00 Casual Class: $27.00
Bookings: Please send an email to Tim@printstudio.org.au.
Course Outline: Intaglio & relief printmaking techniques - drypoint,
etching using aluminium, copper, zinc plates & photopolymer.
Please make cheque or money order for class fees payable to Tim Witney.
wednesday
intaglio & relief printmaking with susan baran
'Henna Hand' Photopolymer
Morning Class: 9.30am to 12.30pm
Afternoon Class: 1pm to 4pm
Class Maximum: 9 students
Course Fee: $200.00 Concession: $185.00
Casual Class:
$28.00
Bookings: Please send an email to Susan@printstudio.org.au.
Course Outline: Both classes encourage creative freedom to explore the
different printmaking media at the individual’s own pace and caters to all
levels, from the more experienced students wanting to further skills to the
beginners who are most welcome.
Please make cheque or money order for class fees payable to Susan Baran.
saturday
intaglio & relief printmaking with rosanna jurisevic
Held every second Saturday 10am to 4pm. Check with Rosanna for the schedule of dates.
Class Maximum: 8 students
Course Fee: $220.00 Casual Class: $40.00 (casual attendance by prior
arrangement).
Bookings: Please send an email to Rosanna@printstudio.org.au.
Course Outline: The course will cover the foundation skills applied in
printmaking through a range of methods & techniques. Exploring safer
printmaking practices while preparing intaglio & relief plates ready for fine
art printing. Techniques will include etching, woodcut, linocut & collagraph.
For beginning & experienced artists.
Please make cheque or money order for class fees payable to Rosanna
Jurisevic.
Studio Access
Full members with a good knowledge of printmaking techniques, the competence to work by themselves and a proven familiarity with the printmaking equipment & studio safety procedures, are eligible to access the Studio facilities. An orientation session is required for all members before they are eligible for access as well as two or three sessions of working with an experienced Studio member. A Studio Orientation to assess readiness for access is free. Please contact Sandra@printstudio.org.au to organise an orientation.
- All studio users are required to abide by the guidelines of use as set by the Management Committee. Please read the Studio access policy & guidelines for users (available upon request) or contact the Studio for further information.
- Access is available at times when the Studio is not used for classes including weekends & term breaks.
- Bookings for access are essential & must be made with the Studio’s Booking Coordinator. Phone the Studio for contact details.
- The access fee includes use of the presses, etchants, aquatints, grounds, oil for clean-up, solvents & rollers. The fee does not include papers, inks & other consumables (rags, tissue etc.) which are to be supplied by the member accessing the Studio.
| Casual Rate $5.00 per person per hour. Commercial Rate Members editioning for other artists must pay the commercial rate of $6.50 per hour. Exclusive Rate Full members may also book use of the Studio exclusively for editioning purposes at the rate of $90 per person per day. |
Pre Paid Rate - conditions apply Discounts are available if access time is paid for in advance for a regular time slot each week. Users must be prepared to let Studio events & exhibitions take precedence & will not necessarily use the maximum hours allowed. There is no refund or compensation for hours not used. Quarterly - $180.00 (maximum usage of 60 hours only over 13 weeks) Half Yearly - $300.00 (maximum usage of 120 hours only over 26 weeks) Yearly - $540.00 (maximum usage of 240 hours only over 52 weeks) |
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Workshops
Last updated July 2010
seraphina martin: viscosity printing
Seraphina Martin is one of Sydney's most experienced printmakers using the viscosity technique. She trained in Paris at Atelier 17 with masterprinter and inventor of viscosity printing Stanley William Hayter. Seraphina is a member of Sydney Printmakers and is currently teaching printmaking at the Tin Sheds, Sydney University.
|
Venue: Warringah Printmakers Studio |
 Tender Guardian 2009 |
basil hall: reduction woodcut
Learn this multi colour printing technique on the one block. Refine cutting, inking and registration techniques with masterprinter Basil Hall. Basil has a long history as a masterprinter first at Studio One in Canberra, then in the Northern Territory at Northern Editions and currently at Basil Hall Editions working closely with Aboriginal artists. Learn more...
|
Date: 28 & 29 August 2010 |
 Basil Hall at Northern Editions |
martin king: etching on copper plate with ferric chloride
Etching on copper plate with ferric chloride is another low toxic, safer way to make prints. Copper is known to produce crisp lines, fine detail and is perfect for colour inking. Learn this technique from artist and senior printer at Australian Print Workshop, Martin King. Martin's etchings (copper plate) are well known and held in many important collections throughout Australia and internationally. He recently won the Broken Hill Art Prize. Learn more...
|
Date: 13 & 14 November 2010 |
 The Crossing IV 2006 |
Please note that participants of workshops held at the Warringah Printmakers Studio need to become at least Associate members of the Studio. Unless stated otherwise, the cost for workshops does not include the membership fee.
Weekend and midweek workshops are arranged in response to demand, so please enquire.